Wagners Oevre holds many musical mysteries. The Valkyrie is no exception:
The Valkyrie music guide provides answers. A short synopsis of each scene provides an immediate overview.
The leitmotifs and musical design of the work are clearly explained using musical examples.
The
audio samples make the explanations easy to understand.
Scope
The third motif assigned to the Valkyries, the Valkyrie motif, is probably the best-known motif in this opera:
♫ Example 20: Derivation Valkyrie motif.
In the audio example, we first hear the becoming motif. Then the notes marked ① to ③ are struck again. Finally, the complete Valkyrie motif can be heard, extending beyond the note example.
The Valkyrie motif in its original form consists of broken triads and is related to the becoming motif. The Valkyries are creatures of nature. Like the sword motif (example 14), which is also related to the becoming motif, the Valkyrie motif contains a falling octave, which emphasizes the Valkyries’ closeness to nature.
In addition to the original form, which begins with a broken major chord, the motif appears in a sadder-sounding minor variant, especially in connection with Brünnhilde:
♫ Example 21: Valkyrie motif, major and minor variants
The two variants in major and minor reflect the state of mind of the Valkyries. In the preludes to Act 2 and Act 3, we hear almost exclusively the positive major variant, an expression of the Valkyries' joy in their genuine task. Brünnhilde is mostly accompanied by the minor variant.
After the opening of the curtain, we see Wotan and Brünnhilde on stage. Wotan gives Brünnhilde the task of helping Siegmund to victory in the battle against Hunding. Then Fricka appears and Brünnhilde retreats. (...)
To hear all the audio examples click on the image